borromini’s San carlo Alle Quattro Fontane, Rome: architectural drawing
Your drawing shows strong observational engagement with the building: you have clearly understood that this is not simply a façade of stacked rectangles, but a highly theatrical Baroque composition of projecting, receding, curved and sculptural elements. The central façade, twin upper structures, oval, columns, statues and lower arcade are all recognisable. The main issue, however, …