Max Crosbie-Jones wrote an article in Art Review on Khao Yai Art Forest in Thailand. From the look of it, the forest is an artwork, and an institution that houses artworks by important contemporary artists, including Elmgreen and Dragset, Ernesto Neto, Haegue Yang, Richard Long, among others. There is something emancipatory, about opening up the art institution, to not house it anywhere enclosed, open to the elements of a tropical forest. Can we think of it as an instance of the art institution in the expanded field?